Shri
Shanta durga Temple is a large temple complex 33 km (21 mi)
from Panaji at the foothill of Kavalem village
in Ponda Taluka,Goa, India. A small laterite mud shrine was
built and the deity was installed here. The mud-shrine was converted into a
beautiful temple whose foundation stone was laid in 1730 and the temple was
completed in 1738 and renovated in 1966.
Shri Shantadurga is the Kuldevi (family deity) of many Goud Saraswat Brahmins (Konkan region of Maharashtra and Goa).
The original temple at Quelossim (Keloshi) in Salsete was destroyed by the Portuguese in
1564. The goddess was shifted to Kavalem and worship was continued there. The
site on which the original Temple of Shantadurga stood at Quelossim (Keloshi)
is known as "Deoolbhata" and it is in the possession of the Temple
Committee.
The current temple was constructed during the reign of Maratha ruler Chattrapati Shahu of Satara in about 1738 A.D. Naroram Mantri
(Naroram Shenvi Rege) originally from Kochara village in the Vengurla region
was a Mantri (minister) in Shahu's Court (Grandson
of Shivaji Maharaj)around 1723. He obtained finances to construct the new
temple for the goddess from Shahu. The temple construction started around 1730
and, with the help from other mahajans, the present temple was completed. Due
to his efforts, the village of Kavalem was bequeathed to the Temple by Shahu in
1739. The temple complex is on the slope of the foothills of a mountain chain,
surrounded by lush vegetation. There is a main temple and three smaller temples
of other deities which have been built on three sides of the temple. The temple
consists of a collection of pyramidal roofs with a dome. The pillars and floors
are made of Kashmir stone. The temple has a huge tank, a Deepastambha andagrashalas (guest houses). Many renovations have
been completed over the years to the main temple and the temples of the other
deities as well as to theagrashala. The temple has recently banned entry of
foreigners into the temple citing objectionable dressing and conduct as the
reason. t
is a fusion of Indo-Portuguese architecture. Its pyramidical shape 'shikaras'
rising on the roofs of the facade (entrance hall) and the 'Sabhamandap' (the
main hall), its roman-arched windows, some of which have the stained-glass
window panes of deep red, yellow, blue, green colors, its chandeliers, its gate
posts, balustraded flat dome, the maroon-peach-white colour paint of the temple
gives the temple a serene beautiful look. The highlight of the temple is its
golden palanquin (palkhi) in which the deity is carried on festive occasions.
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